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《金字塔》 埃及

 

在还没有文字的时代,人类靠记忆在做记录。文字出现后,人们可以更详实地记载所发生的一切,让后人对前人的事迹,有了个可以追溯的通道。所以说,文字的出现,划分了“史前”和“历史”。

我们所说的西方美术史,一般上以欧洲为主体,但在文化的溯源上,却必须追溯到5 千年前在北非尼罗河流域发展出来的埃及文化。

这原因何在呢?

因为埃及的美术,无论是绘画、雕塑或建筑,和史前美术相比之下,在表现形式上有了可以延续和累积的‘风格’。

 

Ramess II 的两座巨大雕像》  19王朝 Abu Simbel

 

埃及美术主要是建筑、雕像和壁画,主要是为了突显帝王的成就,埃及人认为帝王与神是合而为一的。

埃及人相信‘永生’,所有艺术的产生,都建立在‘死后的生命’这个信仰上。任何事物,只要加以再现,不论是利用雕雕塑或绘画,其生命就获得延续。

我们看到,最伟大的阿布辛贝尔(Abu Simbel)的Ramess II 雕像,是开凿一整座山而完成的。我们从埃及的雕像中也看到,人像的刻画,不论是直立或端坐,大部份都是正面平视前方,两脚并拢,两边对称,有一种永恒静止不动的美感。

 

Rehotep  Nefret 雕像》 4王朝 2620BC 埃及博物馆 开罗

 

埃及绘画多出现在金字塔内的壁画上,人物画法采用侧面脸、正面肩和侧面腿的表现手法。从绘画中我们可以看到埃及的美术风格倾向于高度的秩序、详尽、精准的描绘。

 

 

抄写员 Nebamun 沿着尼罗河在纸莎草丛中猎鸟的情景

18王朝 Nebamun之墓 德拉亚布纳卡

 





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